Valerie wrote: ↑Mon Jul 29, 2024 5:20 pm
Szdfan wrote: ↑Mon Jul 29, 2024 2:14 pm
Josh wrote: ↑Mon Jul 29, 2024 12:34 pm
So, the Olympics either
(1) Blasphemes the Last Supper
If the tableau at the Paris Olympics was parodying
The Last Supper, then what it is parodying isn't the Last Supper of the Bible, but rather a famous Italian artistic depiction. It does not honor God to treat a painting or an object as holy to the point of accusing a parody of that object as "blasphemous." A painting of Christ, even as seared into our collective consciousness as the
The Last Supper, is not the Bible, God, or Jesus. It's not even an icon in the Roman Catholic tradition.
To treat an object as sacred to the point that parodying it is blasphemy is idolatry.
C'mon, they KNEW what they were doing.
Apparently leaders around the world were upset, advertisers pulling ads, - it was SUPPOSED to upset people, Satan hates the Church and whether The Lasy Supper is "just a painting" or not, they were well aware of what they were conveying
One of the major purposes of these events is to make money. Isn't intentionally offending advertisers for the sake of offending advertisers defeating the point?
The guy who designed it, Thomas Jolly, claims he didn't intend to mock anyone.
https://deadline.com/2024/07/olympics-o ... 236024601/
“It’s not my inspiration and that should be pretty obvious. There’s Dionysus arriving on a table. Why is he there? First and foremost because he is the god of celebration in Greek mythology and the tableau is called ‘Festivity’,” explained Jolly.
“He is also the god of wine, which is also one of the jewels of France, and the father of Séquana, the goddess of the river Seine,” he continued. “The idea was to depict a big pagan celebration, linked to the gods of Olympus, and thus the Olympics.”
“It is Dionysus who arrives at the table,” Mr. Jolly said in a television interview with the French media outlet BFMTV. Dionysus is the Greek god of festivities and wine, and is the father of Sequana, the goddess of to the Seine river, he said. “The idea was instead to have a grand pagan festival connected to the gods of Olympus, Olympism,” he added.
I think there are two things going on here --
1) I don't think Jolly and the organizers thought through how this was going to be perceived. I don't think they realized that viewers were going to make a connection between the tableau and the
The Last Supper. Jolly's tableau had seventeen people (instead of 13) and a giant blue guy, which doesn't appear in DaVinci's painting.
They probably should have thought of that connection. I do think that the tableau was intended to be provocative, even if not intended to directly insult Christians.
2) I also think that a lot of people (including those who claim to uphold the "values" of Western Civilization) don't understand or know the cultural and artistic history of the West. One of the themes in Renaissance art is the depiction of Grecco-Roman deities eating together at a table. It's called
"Feast of the Gods.". Renaissance art drew heavily from antiquity and that included not just Christian subjects, but pagan ones as well. I think the line between secular and sacred art is often rather mushy.